Wednesday, March 27, 2013
Carlsen Survives Kramnik: Video
Alekhine Chess Memorial from April 20
“The idea of linking chess and art appeals to me. It was something first tried at the match between Anand and Gelfand held at the Tretyakov Gallery in Moscow” said Mr Lugansky. “I'm really pleased that the concept is gaining ground. The tournament celebrating the great Master being held at the Louvre and at the Russian Museum is a splendid event – not only for chess, but for culture as a whole.”
“Alekhine was always my favourite chess player, even in my childhood. I was impressed by his ability to find the thread for a combination of almost any position. The quadruple World Champion viewed every chess game as a work of art – as a chess fan, that way of thinking of things is very close to my own”.
Nikolai Lugansky stressed that his choice of Sergei Rachmaninoff's works in his programme for this event is far from coincidental. “There are many parallels between the life of the great Russian chess player, and the great Russian composer. Both Alekhine and Rachmaninoff were Russian by birth, but emigrated from the country – and both won world acclaim. Both of them made phenomenal contributions to world culture, and both represented Russian culture brilliantly. The Alekhine Memorial Tournament is certain to underscore Russia's worldwide cultural standing” Mr Lugansky observed.
As has been already reported, the Alekhine Memorial International Chess Super-Tournament will take place in two stages, from 21st April to 1st May, in Paris and St Petersburg. The tournament is organised by the Russian Chess Federation, with the supports of businessmen Gennady Timchenko and Andrei Filatov. The upcoming tournament will be a chance for chess fans all over the world to appreciate Russian culture more widely.
The Russian Chess Federation is a membership-based, voluntary, all-Russian public association made up of chess federations of the republics, territories, regions, federal cities, autonomous regions, and autonomous districts. It operates throughout the Russian Federation, its goal being to develop chess in Russia and to represent the interests of chess players who are members of the Federation both in Russia and abroad.
The State Russian Museum, the country’s first state museum of Russian fine arts, was founded in 1895 in St. Petersburg by decree of Emperor Nicholas II. It was officially opened to visitors on 19 March (7 March by the old calendar) 1898. The Russian museum’s collection currently includes over 400,000 exhibits and covers all historical periods and development trends of Russian art, all main types and genres and areas of over more than 1,000 years (from the tenth to the twenty-first century). The main exhibition is housed in the Mikhailovsky Palace and the Benoit Building, which forms part of the palace ensemble. In addition to the Mikhailovsky Palace, the Benoit Building and the Rossi Wing, the museum complex includes the Marble Palace and the Stroganov Palace, the Mikhailovsky (Engineering) Castle, as well as unique garden and park ensembles – the Summer Garden and Summer Palace of Peter I and the Mikhailovsky Garden.
Gennady Timchenko has been Chairman of the Economic Council of French and Russian Businesses of the Franco-Russian Chamber of Commerce and Industry (CCIFR) since December 2011. His family has been involved in charitable work both in Russia and abroad for more than 20 years. The Key Foundation, which works to help families with adopted children, was set up in 2007. The Neva Foundation was founded in 2008 in Geneva to support scientific and cultural cooperation projects between Russia and Western Europe. The Ladoga Charitable Foundation was created in 2010 to support the older generation, children’s sport and the revival of Russian spirituality.
Andrei Filatov is an entrepreneur and a member of the Economic Council of the Franco-Russian Chamber of Commerce and Industry (CCIFR). He is actively involved in philanthropic work and is financing a number of humanitarian programmes. He set up an art fund to trace and collect works of Russian and Soviet artists from the period 1917–1991 which have been taken out of Russia. The fund aims to promote awareness of this artistic period through the publication of catalogues and the organization of exhibitions. Andrei Filatov supported an exhibition of works by the Russian émigré artist Nikolai Fechin at the State Tretyakov Gallery and is currently preparing an exhibition of Mikhail Nesterov to mark the 150th anniversary of this outstanding master of Russian painting.
As has been already reported, the Alekhine Memorial International Chess Super-Tournament will take place in two stages, from 21st April to 1st May, in Paris and St Petersburg. The tournament is organised by the Russian Chess Federation, with the supports of businessmen Gennady Timchenko and Andrei Filatov. The upcoming tournament will be a chance for chess fans all over the world to appreciate Russian culture more widely.
Alexander Alekhine (1892–1946)
Born in Moscow on 19 October 1892, the first Russian World Chess Champion Alexander Alekhine was the son of a State Duma deputy, marshal of the Voronezh nobility, and the owner of huge black-earth estates in Central Russia. Alekhine graduated from the St Petersburg School of Law in 1914. That same year, he became one of the world’s strongest chess players, placing third at the prestigious St Petersburg chess tournament, after the then-reigning World Champion Emanuel Lasker and before the future Champion José Raúl Capablanca.
Alekhine was playing at a tournament in Germany when WWI broke out. He was arrested and thrown into a German prison; upon his return to Russia, he signed up as a volunteer with the Red Cross. Alekhine was twice contused on the Galician Front, carried the wounded from battlefields, was decorated several times and was nominated for the Order of Saint Stanislaus with Swords. He became the first Chess Champion of the USSR in 1920, before leaving Soviet Russia in 1921 for France, where he became a citizen in 1925.
In 1927, Alekhine defeated the “invincible” José Raúl Capablanca in a match for the World Champion title. He dominated the chess world for several years after that, winning major tournaments at a big advantage over his rivals. In 1935, he lost a match to Max Euwe, only to defeat the Dutch Grandmaster two years later in a return match and to remain undefeated until his death.
In 1939, during the chess Olympics in Buenos-Aires he called for the German team to be disqualified because of the German attack on Poland. After the Olympics he performed charity games, with funds going to the Polish Red Cross. In 1940, he joined the French army, which brought many complications to his life in occupied France.
Alekhine died in Portugal in 1946, on the eve of an announcement that his World Championship match against Mikhail Botvinnik would take place after all. Alexander Alekhine was the only World Chess Champion to die undefeated.
The Russian Chess Federation is a membership-based, voluntary, all-Russian public association made up of chess federations of the republics, territories, regions, federal cities, autonomous regions, and autonomous districts. It operates throughout the Russian Federation, its goal being to develop chess in Russia and to represent the interests of chess players who are members of the Federation both in Russia and abroad.
The Louvre Museum is one of the world’s largest museums, covering an area of 160,000 m2. The exhibition halls themselves occupy 58,000 m2. Its collections have more than 300,000 items. The Louvre was the first museum to open its doors to the general public in 1793. Every year, more than 10 million people visit the Louvre. The museum’s collection consists of departments for the Ancient East, Ancient Egypt, Ancient Greece and Rome, Artefacts, Sculptures, Fine Art, Graphic Art, and Islamic Arts. In February 2013, the Louvre museum signed an agreement with Russian businessmen Gennady Timchenko and Andrei Filatov to open an exhibition of Russian art in France’s most prestigious museum.
The State Russian Museum, the country’s first state museum of Russian fine arts, was founded in 1895 in St. Petersburg by decree of Emperor Nicholas II. It was officially opened to visitors on 19 March (7 March by the old calendar) 1898. The Russian museum’s collection currently includes over 400,000 exhibits and covers all historical periods and development trends of Russian art, all main types and genres and areas of over more than 1,000 years (from the tenth to the twenty-first century). The main exhibition is housed in the Mikhailovsky Palace and the Benoit Building, which forms part of the palace ensemble. In addition to the Mikhailovsky Palace, the Benoit Building and the Rossi Wing, the museum complex includes the Marble Palace and the Stroganov Palace, the Mikhailovsky (Engineering) Castle, as well as unique garden and park ensembles – the Summer Garden and Summer Palace of Peter I and the Mikhailovsky Garden.
Gennady Timchenko has been Chairman of the Economic Council of French and Russian Businesses of the Franco-Russian Chamber of Commerce and Industry (CCIFR) since December 2011. His family has been involved in charitable work both in Russia and abroad for more than 20 years. The Key Foundation, which works to help families with adopted children, was set up in 2007. The Neva Foundation was founded in 2008 in Geneva to support scientific and cultural cooperation projects between Russia and Western Europe. The Ladoga Charitable Foundation was created in 2010 to support the older generation, children’s sport and the revival of Russian spirituality.
Andrei Filatov is an entrepreneur and a member of the Economic Council of the Franco-Russian Chamber of Commerce and Industry (CCIFR). He is actively involved in philanthropic work and is financing a number of humanitarian programmes. He set up an art fund to trace and collect works of Russian and Soviet artists from the period 1917–1991 which have been taken out of Russia. The fund aims to promote awareness of this artistic period through the publication of catalogues and the organization of exhibitions. Andrei Filatov supported an exhibition of works by the Russian émigré artist Nikolai Fechin at the State Tretyakov Gallery and is currently preparing an exhibition of Mikhail Nesterov to mark the 150th anniversary of this outstanding master of Russian painting.
Candidates R9: Carlsen in Sole Lead
Magnus Carlsen is the sole leader after nine rounds at the FIDE World Chess Candidates’ Tournament. On Monday the Norwegian drew with Vladimir Kramnik (Russia) while co-leader Levon Aronian (Armenia) lost to Boris Gelfand (Israel). Peter Svidler and Alexander Grischuk (both Russia) drew an amazingly complicated game and after 6.5 hours of play Vassily Ivanchuk (Ukraine) scored his first win, against Teimour Radjabov (Azerbaijan).
After 13.Nc3 White was “just better” and after 20.Qe3 it was “getting really critical for Black” (Kramnik) but then, starting with 22…Re8, Carlsen found a key defensive idea (and perhaps even the only move): 25…Nd5!. Almost by force an ending with rooks and opposite-coloured bishops came on the board where Kramnik’s extra pawn wasn’t worth much. “It just seems to work by millimetre,” the Russian said two times at the press conference.
“Of course Magnus is a very strong player, a very strong defender. I don't say that I missed any win today but I was better in the opening, had a very nice position and then… it seemed very close. It’s a bit disappointing of course,” said Kramnik. Carlsen about defending this game: “I thought it was dangerous but the good thing for me is that most of the time I had to make only moves. Then in a way it’s easier.”
Peter Svidler and Alexander Grischuk played the most spectacular game of the tournament so far. The latter went for the ever-interesting King’s Indian Defence, and like in his game against Radjabov, Svidler played the Sämisch variation. Then, on move 12, Grischuk came up with an absolutely stunning novelty that involved a long-term piece sacrifice.
At first Svidler was “very worried”. “In a practical game (…) every move will be a torture.” English grandmaster Matthew Sadler, who lives in The Netherlands but spent his weekend with family, joined the commentary for a while and said: “I was counting the pieces and I must have counted them at least ten times!”
Svidler went for a long think, played an interesting sequence of moves and then felt he was winning. “Of course I missed 19…h3. After that I realized the game continues.” Eventually White got three minor pieces for his queen, and Svidler still felt that “White should be better somehow”, but “it became a bit too messy for my liking”. In time trouble he might have missed some ways to make Grischuk’s life harder. Just after the time control Black had created so much counter play that Svidler had seen enough and accepted his opponent’s draw offer.
The game between Boris Gelfand and Levon Aronian became quite very important for the tournament standings. In a Queen’s Gambit Declined that turned into some sort of Stonewall position, around move 25 Aronian missed a tactic and lost an important pawn. Computers don’t like his 26…Bf7, a move Gelfand didn’t expect: “Here I think Levon is in trouble.”
However, according to the Israeli Black wasn’t lost yet. “After 32…Rd3 I don’t know if my advantage is so big, but 32…h5 is a blunder.” Aronian, who had to skip the press conference because of a drug test (which Carlsen, Kramnik and Svidler also had to perform), said he had missed 28.e6 and then “completely forgot about this 33.f5 stuff”. However, just before the time control Gelfand missed a quick win, and a double rook ending came on the board. “Fortunately I have this plan of a king’s attack,” said Gelfand, who won the ending without too much trouble. It wasn’t an easy game for him, though. “I think for me it was more difficult because I played with my very close friend and he is leading the tournament. But we're professionals and we have to play our utmost in each game.”
With the second half of the FIDE World Chess Candidates’ Tournament well under way, the interest in the tournament is growing, both online and at the IET in London. Every day both the number of spectators in the playing hall and journalists in the press room is growing, and many local grandmasters can be seen at the venue. Gawain Jones, Daniel King and Luke McShane have been frequent visitors and on Monday GMs John Nunn, Matthew Sadler, Jon Speelman and Simon Williams came along. They all witnessed another great round in which the big game was world number 2 Vladimir Kramnik against world number 1 Magnus Carlsen.
Kramnik got a nice advantage in a Catalan: “Actually it was my preparation for Kazan; I was about to play it against Radjabov in 2011 but finally for some reason I decided to play something else. Since that time I was keeping it and nobody played it. This 11.Qc2 and 12.Rd1 is kind of a new set-up; it’s quite dangerous I believe.” Carlsen: “I didn't know the details too much of this line. I more or less had to figure it out over the board. It’s not so easy to play and the way I played, he got a stable advantage so I probably did something wrong. I was just trying to find a good plan which I probably didn’t succeed in doing.”
Kramnik got a nice advantage in a Catalan: “Actually it was my preparation for Kazan; I was about to play it against Radjabov in 2011 but finally for some reason I decided to play something else. Since that time I was keeping it and nobody played it. This 11.Qc2 and 12.Rd1 is kind of a new set-up; it’s quite dangerous I believe.” Carlsen: “I didn't know the details too much of this line. I more or less had to figure it out over the board. It’s not so easy to play and the way I played, he got a stable advantage so I probably did something wrong. I was just trying to find a good plan which I probably didn’t succeed in doing.”
After 13.Nc3 White was “just better” and after 20.Qe3 it was “getting really critical for Black” (Kramnik) but then, starting with 22…Re8, Carlsen found a key defensive idea (and perhaps even the only move): 25…Nd5!. Almost by force an ending with rooks and opposite-coloured bishops came on the board where Kramnik’s extra pawn wasn’t worth much. “It just seems to work by millimetre,” the Russian said two times at the press conference.
“Of course Magnus is a very strong player, a very strong defender. I don't say that I missed any win today but I was better in the opening, had a very nice position and then… it seemed very close. It’s a bit disappointing of course,” said Kramnik. Carlsen about defending this game: “I thought it was dangerous but the good thing for me is that most of the time I had to make only moves. Then in a way it’s easier.”
Peter Svidler and Alexander Grischuk played the most spectacular game of the tournament so far. The latter went for the ever-interesting King’s Indian Defence, and like in his game against Radjabov, Svidler played the Sämisch variation. Then, on move 12, Grischuk came up with an absolutely stunning novelty that involved a long-term piece sacrifice.
At first Svidler was “very worried”. “In a practical game (…) every move will be a torture.” English grandmaster Matthew Sadler, who lives in The Netherlands but spent his weekend with family, joined the commentary for a while and said: “I was counting the pieces and I must have counted them at least ten times!”
Svidler went for a long think, played an interesting sequence of moves and then felt he was winning. “Of course I missed 19…h3. After that I realized the game continues.” Eventually White got three minor pieces for his queen, and Svidler still felt that “White should be better somehow”, but “it became a bit too messy for my liking”. In time trouble he might have missed some ways to make Grischuk’s life harder. Just after the time control Black had created so much counter play that Svidler had seen enough and accepted his opponent’s draw offer.
The game between Boris Gelfand and Levon Aronian became quite very important for the tournament standings. In a Queen’s Gambit Declined that turned into some sort of Stonewall position, around move 25 Aronian missed a tactic and lost an important pawn. Computers don’t like his 26…Bf7, a move Gelfand didn’t expect: “Here I think Levon is in trouble.”
However, according to the Israeli Black wasn’t lost yet. “After 32…Rd3 I don’t know if my advantage is so big, but 32…h5 is a blunder.” Aronian, who had to skip the press conference because of a drug test (which Carlsen, Kramnik and Svidler also had to perform), said he had missed 28.e6 and then “completely forgot about this 33.f5 stuff”. However, just before the time control Gelfand missed a quick win, and a double rook ending came on the board. “Fortunately I have this plan of a king’s attack,” said Gelfand, who won the ending without too much trouble. It wasn’t an easy game for him, though. “I think for me it was more difficult because I played with my very close friend and he is leading the tournament. But we're professionals and we have to play our utmost in each game.”
(Report Peter by Doggers/Photos by Anastasiya Karlovich)
